1 00:00:00,080 --> 00:00:11,840 {\an1}... 2 00:00:12,080 --> 00:00:14,880 Light music 3 00:00:15,080 --> 00:00:26,320 {\an1}... 4 00:00:26,520 --> 00:00:28,600 ... A baby is crying. 5 00:00:28,800 --> 00:00:36,600 {\an1}... ... 6 00:00:36,840 --> 00:00:38,840 ... Disturbing music 7 00:00:39,080 --> 00:00:40,400 {\an1}... ... 8 00:00:40,600 --> 00:00:41,600 {\an3}- Are you okay, my love? 9 00:00:41,840 --> 00:00:43,960 - What are you doing here? 10 00:00:44,200 --> 00:00:46,320 {\an3}- I am your wife. We are a family. 11 00:00:46,560 --> 00:00:48,000 {\an1}... ... 12 00:00:48,200 --> 00:00:50,280 {\an3}Look at your daughter, how beautiful she is. 13 00:00:50,479 --> 00:00:54,000 {\an1}... ... 14 00:00:54,200 --> 00:00:56,160 {\an3}It's dad. It's dad. 15 00:00:56,400 --> 00:00:58,680 {\an1}... It's your dad. 16 00:00:58,920 --> 00:01:02,360 {\an1}... ... 17 00:01:04,200 --> 00:01:05,959 - Shouldn't have accepted to see her. 18 00:01:08,280 --> 00:01:11,240 {\an3}- So that she tries again to set fire to the prison? 19 00:01:13,240 --> 00:01:16,840 {\an1}- You really are his mutt. She whistles at you and you come back. 20 00:01:18,959 --> 00:01:22,840 {\an1}Take a little magic pill by Dr. Ousmane 21 00:01:23,040 --> 00:01:24,480 {\an1}and cancels the visit. 22 00:01:24,680 --> 00:01:26,400 Intriguing music 23 00:01:26,600 --> 00:01:28,000 {\an3}- No. 24 00:01:28,200 --> 00:01:31,120 {\an3}What will she do? Kill a guard? 25 00:01:31,319 --> 00:01:32,800 {\an3}Kill an inmate? 26 00:01:33,800 --> 00:01:36,720 {\an1}- Or his baby before he was born. It's possible, eh. 27 00:01:36,920 --> 00:01:41,319 {\an1}... 28 00:01:41,520 --> 00:01:43,560 {\an3}- I need to talk to him face to face. 29 00:01:43,760 --> 00:01:46,160 {\an3}I have to tell him to leave me alone. 30 00:01:46,360 --> 00:01:48,240 {\an3}Otherwise, she is capable of the worst. 31 00:01:48,440 --> 00:01:49,920 Lisa growls. 32 00:01:50,120 --> 00:01:52,000 Lise barks and pants. 33 00:01:52,200 --> 00:01:54,120 ... Let me go. 34 00:01:54,360 --> 00:02:12,880 {\an1}... 35 00:02:17,120 --> 00:02:21,080 Balthazar sings at the top of his voice. 36 00:02:21,320 --> 00:02:33,320 {\an1}... 37 00:02:33,520 --> 00:02:35,120 Oh! 38 00:02:35,360 --> 00:02:37,960 {\an3}A bit of good humor, music, Does that speak to you? 39 00:02:38,200 --> 00:02:40,280 {\an1}- And respect for the deceased, Does that speak to you? 40 00:02:40,520 --> 00:02:43,480 {\an1}"Respect for the deceased and his dignity 41 00:02:43,720 --> 00:02:46,760 {\an3}"must be preserved during thanatological activity, 42 00:02:46,960 --> 00:02:49,760 {\an3}"during his stay at the IML." Chapter 1, paragraph 3 43 00:02:49,960 --> 00:02:52,040 {\an3}of the internal regulations of the institute. 44 00:02:52,280 --> 00:02:53,560 - You are ? 45 00:02:53,800 --> 00:02:54,919 - Dr Vésinet, 46 00:02:55,160 --> 00:02:57,560 {\an3}sub-directorate health protection. 47 00:02:57,800 --> 00:03:00,320 - The gravedigger. - Pardon ? 48 00:03:00,560 --> 00:03:01,760 - Uh... 49 00:03:03,520 --> 00:03:05,560 Very happy. Very happy. 50 00:03:07,000 --> 00:03:08,160 - We received 51 00:03:08,400 --> 00:03:09,880 {\an3}a report: 52 00:03:10,120 --> 00:03:13,000 repeated breaches of the procedure, to ethics, 53 00:03:13,240 --> 00:03:15,160 {\an3}to ethics. Add to that 54 00:03:15,400 --> 00:03:17,160 unjustifiable invoices 55 00:03:17,360 --> 00:03:19,840 and you win an inspection. - Wait. 56 00:03:20,080 --> 00:03:22,400 That means that Did someone report me? 57 00:03:22,600 --> 00:03:24,800 {\an1}There is someone who reported me? 58 00:03:25,000 --> 00:03:28,080 {\an1}What are you talking about, when you talk about expenses 59 00:03:28,320 --> 00:03:30,880 {\an1}hardly justifiable? What is the... 60 00:03:31,080 --> 00:03:33,639 - By chance? - Yes. 61 00:03:33,840 --> 00:03:37,640 {\an3}- 1300 euros rental of a hydrofoil. 62 00:03:37,840 --> 00:03:40,320 {\an3}Why not a biplane, while you're there? 63 00:03:40,520 --> 00:03:42,960 - So, wait. I remember that. 64 00:03:43,160 --> 00:03:44,200 That's because 65 00:03:44,440 --> 00:03:47,160 it was blocked on the A6. - Of course. Yes yes. 66 00:03:48,360 --> 00:03:50,200 {\an1}- I don't understand your presence. 67 00:03:50,400 --> 00:03:52,600 {\an1}All that my hierarchy told me to do, 68 00:03:52,840 --> 00:03:55,600 {\an1}I did it. All right ? I even went to see this psychologist there. 69 00:03:55,840 --> 00:03:58,440 - The one you canceled 14 sessions? 70 00:03:58,640 --> 00:04:01,320 Ah! Of which the last for pony competition. 71 00:04:01,560 --> 00:04:03,240 {\an1}- How do you know that, you? 72 00:04:04,560 --> 00:04:05,960 {\an1}Was he the one who dumped me? 73 00:04:06,200 --> 00:04:07,920 {\an1}Tell me, it's not contrary 74 00:04:08,160 --> 00:04:10,560 {\an1}to ethics, that? Control him. 75 00:04:11,560 --> 00:04:13,240 {\an1}Listen, Dr... 76 00:04:13,440 --> 00:04:15,520 - Vésinet. - Yeah. 77 00:04:18,320 --> 00:04:21,080 {\an1}- Listen, Dr. Vésinet. This is a huge misunderstanding. 78 00:04:21,279 --> 00:04:23,200 {\an1}You know what should we do? 79 00:04:23,440 --> 00:04:24,880 {\an1}I propose to you 80 00:04:25,120 --> 00:04:26,760 {\an1}let's go and clear it all up 81 00:04:26,960 --> 00:04:29,400 {\an1}around a good bottle chianti, 82 00:04:29,640 --> 00:04:31,240 {\an1}both. I invite you. 83 00:04:31,440 --> 00:04:33,320 - I love chianti. - It's true ? 84 00:04:33,560 --> 00:04:34,600 {\an1}Well there you have it! 85 00:04:34,839 --> 00:04:36,640 {\an3}- Sit down. 86 00:04:38,160 --> 00:04:41,160 {\an3}She sighs. You are gifted, Dr. Balthazar. 87 00:04:41,360 --> 00:04:42,360 {\an1}- Yeah. 88 00:04:42,600 --> 00:04:44,760 - Very talented. - Hmm. 89 00:04:45,000 --> 00:04:47,960 {\an3}- But that doesn't give you the right to override the laws. 90 00:04:48,200 --> 00:04:49,279 {\an3}You know very well 91 00:04:49,520 --> 00:04:52,440 {\an3}that the management of the IML of Paris is sensitive, 92 00:04:52,680 --> 00:04:54,760 {\an3}politics. The police headquarters 93 00:04:55,000 --> 00:04:57,400 {\an3}and the Ministry of Justice want to know 94 00:04:57,600 --> 00:04:59,400 {\an3}if you are still up to par 95 00:04:59,640 --> 00:05:01,839 {\an3}of the task, and that's what I'm here for. 96 00:05:02,080 --> 00:05:03,920 {\an3}So let's start 97 00:05:04,160 --> 00:05:05,760 by taking out all the reports 98 00:05:05,960 --> 00:05:08,520 over the last three years and study them. 99 00:05:08,760 --> 00:05:10,200 A phone vibrates. 100 00:05:10,440 --> 00:05:12,600 ... - Pardon. Excuse me. 101 00:05:14,400 --> 00:05:16,080 {\an1}Yeah. Hello ? 102 00:05:17,080 --> 00:05:18,240 I'm coming, I'm coming. 103 00:05:18,440 --> 00:05:20,400 Don't tell me more. Send the address. 104 00:05:20,640 --> 00:05:22,320 {\an1}See you right away. I'm sorry. 105 00:05:22,560 --> 00:05:23,760 It's an emergency. 106 00:05:23,960 --> 00:05:27,000 I would have loved to finish this conversation with you, 107 00:05:27,240 --> 00:05:29,680 {\an1}but we will continue it when I have a moment. 108 00:05:29,880 --> 00:05:33,040 - We'll take your car or do we rent a helicopter? 109 00:05:33,279 --> 00:05:35,720 - Are you going to come with me? - In your opinion? 110 00:05:35,920 --> 00:05:37,320 {\an1}- Okay. 111 00:05:37,520 --> 00:05:40,600 Upbeat music - Thank you. 112 00:05:40,839 --> 00:05:48,160 {\an1}... 113 00:05:48,360 --> 00:05:49,760 {\an3}- There you go. 114 00:05:49,960 --> 00:06:06,880 {\an1}... 115 00:06:07,080 --> 00:06:09,080 {\an1}- What is it, this shitty arrival? 116 00:06:09,279 --> 00:06:11,800 {\an1}Hey, don't you make us a small controlled skid, 117 00:06:12,000 --> 00:06:13,520 as usual? - Stop. 118 00:06:13,760 --> 00:06:16,600 - You bring your girls at crime scenes? 119 00:06:16,839 --> 00:06:18,760 - Stop. Stop. - Who is that? 120 00:06:18,960 --> 00:06:20,240 - I present to you... 121 00:06:20,440 --> 00:06:22,640 {\an1}- Dr Vésinet. I am responsible for controlling 122 00:06:22,880 --> 00:06:25,920 Dr. Balthazar. - Control who? Him there? 123 00:06:26,160 --> 00:06:27,120 Delgado laughs. 124 00:06:27,320 --> 00:06:28,920 When coughing - Gestapo. 125 00:06:29,160 --> 00:06:32,400 - A little advice: consider that I am not deaf. 126 00:06:32,640 --> 00:06:34,480 - I didn't say anything. I coughed. 127 00:06:34,720 --> 00:06:36,600 {\an1}- Captain Camille Costes. Delighted. 128 00:06:39,120 --> 00:06:41,680 Balthazar clears his throat. Or not. 129 00:06:41,920 --> 00:06:43,560 {\an3}-Delgado. 130 00:06:43,760 --> 00:06:46,360 - Is it over there? - Yes. Go for it. 131 00:06:46,600 --> 00:06:48,600 Costes blows. 132 00:06:48,800 --> 00:06:50,120 {\an3}Here we go. 133 00:06:50,320 --> 00:06:52,400 Intriguing music 134 00:06:52,640 --> 00:07:00,640 {\an1}... 135 00:07:00,839 --> 00:07:03,800 Three quarters of the objects here were reported stolen. 136 00:07:04,000 --> 00:07:05,839 Maybe a blow gone wrong. 137 00:07:06,080 --> 00:07:07,839 {\an1}- The victims: 3 18 year old kids. 138 00:07:08,080 --> 00:07:12,120 Simon Bazan, Leroy Clain and Mehdi Mazouche. 139 00:07:12,360 --> 00:07:13,440 {\an3}- Little thugs. 140 00:07:13,680 --> 00:07:17,640 {\an3}Clain was an employee of the scrapyard. It was their lair, this hangar. 141 00:07:17,880 --> 00:07:19,600 The device beeps. 142 00:07:19,800 --> 00:07:31,760 {\an1}... 143 00:07:32,000 --> 00:07:34,640 - The 1st victim: trauma 144 00:07:34,880 --> 00:07:36,920 {\an1}major craniocerebral, 145 00:07:37,160 --> 00:07:39,520 surely at the origin immediate death. 146 00:07:41,520 --> 00:07:44,760 She was hit using a blunt object. 147 00:07:44,960 --> 00:07:47,000 Suspenseful music 148 00:07:47,240 --> 00:07:57,480 {\an1}... 149 00:07:57,680 --> 00:07:59,280 Multiple lesions 150 00:07:59,520 --> 00:08:02,800 {\an1}on the 2nd victim, which recall those of the 1st. 151 00:08:03,040 --> 00:08:04,680 The same shape. Probably 152 00:08:04,920 --> 00:08:06,760 the same object used. I would say 153 00:08:07,000 --> 00:08:10,680 an object... oblong and thin. 154 00:08:10,920 --> 00:08:12,640 {\an1}... 155 00:08:12,840 --> 00:08:15,360 What do you note, in fact, since a while ago, 156 00:08:15,600 --> 00:08:17,480 there, in your notebook? 157 00:08:17,720 --> 00:08:25,000 {\an1}... 158 00:08:25,240 --> 00:08:27,880 {\an3}Same murder weapon for the 3rd victim. 159 00:08:28,120 --> 00:08:30,560 All three have redness and edema 160 00:08:30,800 --> 00:08:33,960 periorbital. Delgado, doctor, "periorbital"? 161 00:08:36,200 --> 00:08:38,360 It's a game we play with Delgado. 162 00:08:38,600 --> 00:08:41,040 I teach him forensic terms. 163 00:08:41,280 --> 00:08:42,840 It's going to be a long day. 164 00:08:43,080 --> 00:08:45,679 {\an1}... 165 00:08:45,880 --> 00:08:47,360 The eyes are red. 166 00:08:47,600 --> 00:08:51,200 {\an1}... 167 00:08:51,400 --> 00:08:53,559 Chemical conjunctivitis, certainly 168 00:08:53,800 --> 00:08:55,559 due to 2-chlorobenzylidene 169 00:08:55,800 --> 00:08:58,400 malonitrile. Emanating from the clothes, 170 00:08:58,640 --> 00:09:01,760 It continues to irritate. In fact, they were sprayed with gas 171 00:09:02,000 --> 00:09:04,000 {\an1}tear gas before hitting them, 172 00:09:04,240 --> 00:09:07,400 probably less than 2 hours ago. There is also a faint odor 173 00:09:07,640 --> 00:09:09,559 urea decomposition. 174 00:09:10,559 --> 00:09:13,520 Urea is a major components of urine. 175 00:09:13,760 --> 00:09:16,040 {\an1}At the time of death, the sphincters relax 176 00:09:16,280 --> 00:09:18,360 with or without incidence. 177 00:09:18,600 --> 00:09:21,800 What do you write down in your notebook? It bothers me! Really. 178 00:09:22,040 --> 00:09:25,040 - "Absence of the port of the regulatory charlotte. 179 00:09:25,280 --> 00:09:27,400 {\an3}"Body examination without socket 180 00:09:27,640 --> 00:09:30,480 {\an3}"preliminary shots." 181 00:09:33,120 --> 00:09:35,400 Balthazar snorts. 182 00:09:40,120 --> 00:09:42,400 - The smell of urine does not come from of the corpse. 183 00:09:42,640 --> 00:09:45,080 - You know what also causes enuresis? 184 00:09:45,320 --> 00:09:48,040 - Fear. - Primary reflex. 185 00:09:49,360 --> 00:09:52,600 {\an3}We empty ourselves to be more fit to defend oneself from an attacker. 186 00:09:52,800 --> 00:09:54,200 - Yeah. 187 00:09:54,400 --> 00:09:59,000 {\an1}... 188 00:10:00,000 --> 00:10:01,480 Disturbing music 189 00:10:01,720 --> 00:10:06,000 {\an1}... 190 00:10:06,240 --> 00:10:08,120 {\an3}There was someone here. He saw everything. 191 00:10:08,320 --> 00:10:10,080 {\an3}Fear could cut off his legs. 192 00:10:10,280 --> 00:10:12,320 Maybe he's not far away. - Okay. Here we go. 193 00:10:13,679 --> 00:10:17,280 Suspenseful music 194 00:10:17,520 --> 00:10:40,679 {\an1}... 195 00:10:40,880 --> 00:10:42,440 (Guys!) 196 00:10:44,240 --> 00:10:46,840 Tension music 197 00:10:47,040 --> 00:11:00,360 {\an1}... 198 00:11:00,600 --> 00:11:03,360 Generic 199 00:11:03,600 --> 00:11:07,760 {\an1}... 200 00:11:08,000 --> 00:11:10,200 What happened, Kevin? 201 00:11:17,800 --> 00:11:20,720 Kevin... Kevin, look at me. 202 00:11:20,960 --> 00:11:23,000 {\an3}I know who you are, you and your friends. 203 00:11:23,200 --> 00:11:25,240 {\an3}The cops, it's not really your friends, 204 00:11:25,440 --> 00:11:26,920 {\an3}but you have to help us. 205 00:11:27,160 --> 00:11:30,160 {\an3}It's serious what happened. They were massacred. 206 00:11:30,400 --> 00:11:33,760 {\an3}So tell me: what happened? 207 00:11:35,440 --> 00:11:36,720 {\an1}- It's this hangar. 208 00:11:36,920 --> 00:11:39,320 {\an1}That's where we found ourselves after our blows. 209 00:11:41,320 --> 00:11:43,000 {\an1}And there we got confused. 210 00:11:44,200 --> 00:11:46,280 {\an3}- Why did you confused? 211 00:11:49,000 --> 00:11:52,040 {\an1}- They wanted us to start again. I didn't agree. 212 00:11:52,240 --> 00:11:53,440 {\an3}- Start again what? 213 00:11:54,720 --> 00:11:57,120 {\an1}- Our last burglary, 3 days ago, 214 00:11:58,720 --> 00:12:00,240 {\an1}it was a crazy place. 215 00:12:00,480 --> 00:12:03,320 {\an1}We took a clock, jewelry 216 00:12:04,320 --> 00:12:05,720 {\an1}and a weird painting 217 00:12:05,960 --> 00:12:09,240 {\an1}who was in the entrance. The guys wanted us to start again, 218 00:12:09,440 --> 00:12:11,760 {\an1}but I wasn't hot. People strengthen 219 00:12:11,960 --> 00:12:14,000 {\an1}their security system after a flight. 220 00:12:14,240 --> 00:12:15,480 {\an1}All this worshiped me. 221 00:12:15,679 --> 00:12:17,800 {\an1}I left the hangar to calm me down. 222 00:12:19,360 --> 00:12:21,440 {\an1}When I came back, I saw him enter. 223 00:12:21,679 --> 00:12:22,960 {\an3}- Who? 224 00:12:23,200 --> 00:12:24,720 - That weirdo who killed them. 225 00:12:25,720 --> 00:12:27,040 I don't know who it is. 226 00:12:27,280 --> 00:12:28,559 - Did you see anything? 227 00:12:28,760 --> 00:12:31,280 Something that could help us to identify it? 228 00:12:31,520 --> 00:12:34,600 - He was hooded. Footsteps 229 00:12:34,800 --> 00:12:37,600 I approached to see what was happening, 230 00:12:37,800 --> 00:12:39,880 but he had just gassed them upon entering. 231 00:12:40,120 --> 00:12:42,720 {\an1}It stank like tear gas. I didn't see anything. 232 00:12:42,920 --> 00:12:44,120 Cough 233 00:12:44,320 --> 00:12:46,080 {\an1}I just saw his crazy eyes. 234 00:12:46,320 --> 00:12:49,360 They were like... calm but crazy. 235 00:12:49,559 --> 00:12:51,800 Do you see? It's like he likes it, 236 00:12:52,000 --> 00:12:53,640 kill people. Cries of rage 237 00:12:53,880 --> 00:12:56,600 {\an1}I wanted to help them, but I was too scared. 238 00:12:57,600 --> 00:12:59,480 Beats and screams of pain 239 00:12:59,679 --> 00:13:02,120 I heard their cries. It was horrible. 240 00:13:03,880 --> 00:13:05,480 - You did what you could. 241 00:13:05,720 --> 00:13:10,000 ... Serious music 242 00:13:14,120 --> 00:13:16,760 Did you find anything? - The kids got angry 243 00:13:16,960 --> 00:13:19,000 {\an1}quite a few people, but nothing justifies 244 00:13:19,200 --> 00:13:21,400 {\an1}to be massacred. There's something weird. 245 00:13:21,600 --> 00:13:24,000 {\an1}The hut broken into belongs to Marianne 246 00:13:24,200 --> 00:13:26,840 {\an1}and Jean-Eudes Peretti, an art collector, 247 00:13:27,040 --> 00:13:30,480 but they never filed a complaint. - And what did they steal? 248 00:13:30,679 --> 00:13:33,000 {\an1}- A clock, jewelry and a painting. 249 00:13:33,200 --> 00:13:36,160 {\an3}- Yeah. There's none of that in the hangar inventory 250 00:13:36,360 --> 00:13:38,960 {\an3}and they didn't have time to sell their stuff again. 251 00:13:39,160 --> 00:13:41,360 - Either the kid is lying... - Or the Perettis 252 00:13:41,559 --> 00:13:44,840 {\an3}took justice into their own hands to recover their property. 253 00:13:45,080 --> 00:13:47,040 {\an3}- The painting that Kevin said to have stolen, 254 00:13:47,240 --> 00:13:49,840 {\an3}he drew it for me. The clock and the jewelry too. 255 00:13:50,040 --> 00:13:52,440 {\an1}- Okay. We will see if we find this inside 256 00:13:52,640 --> 00:13:54,160 {\an1}and we will see who it is. 257 00:13:54,400 --> 00:13:56,480 Delgado whistles. - Not bad, huh? 258 00:13:56,720 --> 00:13:59,160 I like it myself. - Wait ! 259 00:13:59,400 --> 00:14:00,720 I have chocolates! 260 00:14:00,960 --> 00:14:03,320 I have chocolates. - I'll take the white one. 261 00:14:03,520 --> 00:14:05,120 {\an3}- No, I don't want to. 262 00:14:05,360 --> 00:14:09,080 {\an3}You're boring, always proposing. What are you doing here? 263 00:14:09,320 --> 00:14:11,040 {\an1}- It’s Vésinet. 264 00:14:11,280 --> 00:14:14,559 She sticks to me and puts me down his inquisitive questions. 265 00:14:14,800 --> 00:14:17,720 {\an1}He's my asshole psychologist who threw me away. Can you imagine? 266 00:14:17,960 --> 00:14:19,360 {\an1}I can't stay at IML. 267 00:14:19,560 --> 00:14:21,960 {\an1}It's not possible. Can I stay with you? 268 00:14:22,160 --> 00:14:24,240 A phone rings. Wait. 269 00:14:24,480 --> 00:14:26,920 Excuse me. - They're good, huh? 270 00:14:27,160 --> 00:14:28,720 {\an1}... 271 00:14:28,920 --> 00:14:30,640 ... - Here, look. 272 00:14:30,880 --> 00:14:32,400 {\an3}- This is harassment. 273 00:14:33,720 --> 00:14:36,080 - Hello ? *-Where are you? 274 00:14:36,280 --> 00:14:38,800 We had an appointment. It's in your calendar. 275 00:14:39,000 --> 00:14:41,200 - Oh good? Do I have a diary? Uh... 276 00:14:41,400 --> 00:14:43,520 I... I... I'm in a place 277 00:14:43,720 --> 00:14:45,800 which doesn't capture very well there. I... 278 00:14:46,040 --> 00:14:47,880 {\an3}Dra... Ah... I... 279 00:14:48,120 --> 00:14:49,800 {\an1}Krr...Pon... 280 00:14:51,240 --> 00:14:52,840 {\an1}Can I stay? Please. 281 00:14:53,080 --> 00:14:55,760 Please. - You are really 5 years old mentally. 282 00:14:55,960 --> 00:14:58,520 {\an1}- Yes, but the organs of a young man of 25. 283 00:14:59,520 --> 00:15:02,240 All organs. - I didn't hear anything. 284 00:15:02,480 --> 00:15:03,760 {\an1}- Mrs. Peretti, hello. 285 00:15:03,960 --> 00:15:06,960 {\an1}Captain Costes, Lieutenant Delgado, Dr. Balthazar. 286 00:15:07,160 --> 00:15:09,400 {\an1}We can ask you some questions? 287 00:15:09,600 --> 00:15:12,360 - I don't really know. I have to ask my husband, 288 00:15:12,560 --> 00:15:15,080 because it's him who decides everything. 289 00:15:15,280 --> 00:15:17,840 Jean-Eudes? There are the police! 290 00:15:18,040 --> 00:15:21,400 - And a forensic doctor, too. - And a forensic doctor! 291 00:15:21,600 --> 00:15:23,280 A door opens. 292 00:15:23,480 --> 00:15:25,320 You are welcome. It's going to happen. 293 00:15:26,720 --> 00:15:28,120 {\an1}- Thank you. 294 00:15:29,360 --> 00:15:30,760 {\an3}- Sit down. 295 00:15:35,720 --> 00:15:36,920 - The police 296 00:15:37,160 --> 00:15:38,720 {\an1}and a forensic pathologist? 297 00:15:38,960 --> 00:15:41,280 What a surprise! 298 00:15:41,480 --> 00:15:44,840 {\an1}- Mr. Peretti, does you were robbed, 299 00:15:45,080 --> 00:15:46,960 recently? - A burglary? 300 00:15:47,200 --> 00:15:50,280 Oh...I was expecting to something 301 00:15:50,480 --> 00:15:52,640 more exciting: blood, tears... 302 00:15:52,880 --> 00:15:55,160 But no. To answer your question, 303 00:15:55,400 --> 00:15:56,600 no burglary. 304 00:15:56,840 --> 00:15:59,240 - All right. A witness in a triple affair 305 00:15:59,440 --> 00:16:01,240 of murder asserts the opposite. 306 00:16:01,480 --> 00:16:03,160 Think carefully. 307 00:16:03,360 --> 00:16:05,680 You have every interest to tell us the truth. 308 00:16:05,920 --> 00:16:09,120 {\an3}- The truth, you know, it's a question of point of view. 309 00:16:09,320 --> 00:16:12,240 {\an3}Look at this table. What do you see there? 310 00:16:12,480 --> 00:16:15,400 A sheep's head? I see it 311 00:16:15,640 --> 00:16:18,240 the allegory of innocence. - Your collection 312 00:16:18,480 --> 00:16:20,520 {\an3}of paintings, there, Is it complete? 313 00:16:20,760 --> 00:16:23,400 - Obviously. If I had the slightest problem, 314 00:16:23,600 --> 00:16:25,120 I would have called the police. 315 00:16:25,360 --> 00:16:28,800 {\an3}You practice an incomparable art, plunged into darkness 316 00:16:29,040 --> 00:16:30,760 of the soul. It must be scary 317 00:16:30,960 --> 00:16:32,800 to discover what the human being 318 00:16:33,040 --> 00:16:34,480 is capable. - And you ? 319 00:16:34,720 --> 00:16:36,760 What are you capable of? 320 00:16:38,440 --> 00:16:39,960 - I am an old aesthete 321 00:16:40,160 --> 00:16:42,680 who lives in the middle of his works. - Excuse me. 322 00:16:44,240 --> 00:16:46,800 {\an1}This painting, there, Does that mean anything to you? 323 00:16:47,000 --> 00:16:48,280 {\an3}- No, that doesn’t mean anything to me. 324 00:16:48,520 --> 00:16:51,160 {\an3}I wouldn't tell its author to launch into art. 325 00:16:51,400 --> 00:16:53,080 {\an3}Magnificent, isn't it? 326 00:16:55,120 --> 00:16:58,640 {\an1}- Rajowski, New York period. Not his best. 327 00:16:58,840 --> 00:17:01,360 {\an3}- Monsieur is a connoisseur. That doesn't surprise me. 328 00:17:01,600 --> 00:17:03,160 {\an3}Medicine is also an art, 329 00:17:03,400 --> 00:17:06,240 {\an3}like the painters who, on their canvases, 330 00:17:06,480 --> 00:17:08,600 give life or death. 331 00:17:08,840 --> 00:17:10,240 {\an1}- Yeah. 332 00:17:10,440 --> 00:17:12,600 {\an1}You know what I like, me, especially? 333 00:17:12,800 --> 00:17:15,000 {\an1}When art brings back the things in question. 334 00:17:15,240 --> 00:17:16,600 - Me too. 335 00:17:16,800 --> 00:17:19,600 {\an1}- A bit like forensic medicine, you see. 336 00:17:23,359 --> 00:17:25,600 Disturbing music 337 00:17:25,800 --> 00:17:27,960 {\an1}She is yours, this cane, Mr. Peretti. 338 00:17:28,200 --> 00:17:29,440 {\an1}... 339 00:17:29,640 --> 00:17:33,080 {\an1}For your chronic hip osteoarthritis from the hip. 340 00:17:33,280 --> 00:17:35,160 - Yes, doctor. For what ? 341 00:17:35,400 --> 00:17:39,320 {\an1}- Because she looks like a little bit to an oblong object, 342 00:17:40,320 --> 00:17:42,520 {\an1}fine, blunt. 343 00:17:42,760 --> 00:17:46,000 {\an1}A bit like the murder weapon which was used to kill three kids. 344 00:17:46,200 --> 00:17:48,720 {\an1}... 345 00:17:48,920 --> 00:17:53,920 {\an1}Except it's not this cane that you use every day. 346 00:17:54,119 --> 00:17:55,880 {\an1}You have another one. 347 00:17:56,119 --> 00:17:58,160 - It's incredible that you would say that. 348 00:17:58,359 --> 00:18:00,080 I lost it three days ago. 349 00:18:00,320 --> 00:18:01,880 - Incredible... 350 00:18:02,880 --> 00:18:05,280 A bit like this painting which never existed. 351 00:18:05,520 --> 00:18:08,680 - Life is full of mysteries, isn't it? 352 00:18:08,920 --> 00:18:11,480 - He's taunting us! He killed the three kids. 353 00:18:11,680 --> 00:18:13,760 {\an3}We have nothing to prove it and he knows it. 354 00:18:13,960 --> 00:18:17,000 {\an1}- He massacred them for a clock and a painting? 355 00:18:17,200 --> 00:18:20,720 {\an3}- I don't know, but he did it and we have nothing to investigate. 356 00:18:20,920 --> 00:18:23,560 - Did you know, both, 357 00:18:24,840 --> 00:18:27,880 that an Italian team had succeeded in mapping 358 00:18:28,080 --> 00:18:31,119 bacteria microbiomes and mushrooms 359 00:18:31,320 --> 00:18:33,520 on the drawings by Leonardo da Vinci? 360 00:18:33,720 --> 00:18:35,320 - No. - No. I had passed 361 00:18:35,520 --> 00:18:38,160 {\an3}next to this important information, but thank you. 362 00:18:38,359 --> 00:18:40,760 - It's impossible to clean, a painting, 363 00:18:40,960 --> 00:18:43,040 unlike a clock. 364 00:18:43,240 --> 00:18:45,440 As a result, on its surface, 365 00:18:45,640 --> 00:18:47,720 we can find plenty information, 366 00:18:47,920 --> 00:18:50,480 especially the places where he passed through. 367 00:18:50,680 --> 00:18:52,880 Did you understand? You don't understand. 368 00:18:53,080 --> 00:18:55,280 {\an3}- If we analyze the table, we can prove 369 00:18:55,480 --> 00:18:58,640 {\an3}that he was in the hangar and that Peretti is linked to the murder. 370 00:18:58,840 --> 00:19:00,720 - You understood. - Except we don't know 371 00:19:00,920 --> 00:19:02,560 where is the table. - Exactly. 372 00:19:02,760 --> 00:19:05,280 {\an1}He's hidden somewhere. You have to find it, 373 00:19:05,480 --> 00:19:07,560 {\an1}since you don't have another idea 374 00:19:07,760 --> 00:19:11,359 {\an1}that my idea that I found to charge Peretti. 375 00:19:11,560 --> 00:19:14,320 We start by checking the house. - How do we do it? 376 00:19:14,520 --> 00:19:17,000 {\an3}We will never have letter rogatory. 377 00:19:17,200 --> 00:19:19,640 - We have to, for the rogatory commission? 378 00:19:19,840 --> 00:19:22,800 {\an3}- Yes, we have to. The last thing I need, 379 00:19:23,000 --> 00:19:25,200 {\an3}you're screwing up the procedure. 380 00:19:25,440 --> 00:19:27,800 *Soft music 381 00:19:28,040 --> 00:19:31,359 {\an1}*... 382 00:19:31,560 --> 00:19:33,440 {\an1}- We're bored, right? 383 00:19:33,640 --> 00:19:36,400 - We can also rest. - No. 384 00:19:37,400 --> 00:19:40,560 {\an1}To rest means have time to think 385 00:19:40,760 --> 00:19:43,640 {\an1}what it will do to you to see her again. 386 00:19:44,640 --> 00:19:46,320 {\an1}Do you think she's changed? 387 00:19:47,320 --> 00:19:49,080 {\an1}Apart from his big belly, I mean. 388 00:19:49,280 --> 00:19:50,480 {\an3}- Stop. 389 00:19:52,119 --> 00:19:54,840 {\an1}- You know, I think that you should double the dose 390 00:19:55,040 --> 00:19:57,800 {\an1}in cachetons. You're not ready at all. 391 00:19:58,000 --> 00:20:00,280 {\an1}It smells like a nervous breakdown. 392 00:20:00,480 --> 00:20:07,560 {\an1}*... 393 00:20:07,760 --> 00:20:10,080 {\an3}Why don't you go recover the painting? 394 00:20:10,280 --> 00:20:11,720 {\an3}It would change your mind. 395 00:20:11,920 --> 00:20:15,280 {\an1}*... 396 00:20:15,480 --> 00:20:17,760 {\an1}- No, I'm not getting started in a burglary 397 00:20:17,960 --> 00:20:19,480 {\an1}with Mussolini on the back. 398 00:20:19,680 --> 00:20:21,760 {\an1}If she finds out, I can lose everything. 399 00:20:21,960 --> 00:20:23,840 {\an1}*... 400 00:20:24,040 --> 00:20:27,440 {\an3}- He won't be able to stay with his mother, the kid. In jail... 401 00:20:28,560 --> 00:20:31,320 {\an3}What are you going to do? Drown it? 402 00:20:31,520 --> 00:20:35,640 {\an1}*... 403 00:20:35,840 --> 00:20:36,840 {\an1}- You're making me drunk. 404 00:20:37,080 --> 00:20:39,480 Rhythmic music 405 00:20:39,680 --> 00:20:42,080 {\an1}... 406 00:20:42,320 --> 00:20:44,320 I have gathered you all here, this morning, 407 00:20:44,520 --> 00:20:46,480 because I needed the best 408 00:20:46,720 --> 00:20:48,160 among the best 409 00:20:48,400 --> 00:20:50,680 {\an3}to go up... the heist of the century. 410 00:20:50,920 --> 00:20:52,720 Each of us 411 00:20:52,960 --> 00:20:55,920 will have a very specific role and a corresponding mission 412 00:20:56,160 --> 00:20:59,520 to our most mastered talents. To avoid getting burned, 413 00:20:59,760 --> 00:21:01,440 we will have code names. 414 00:21:01,680 --> 00:21:03,960 {\an1}I present to you Fairy fingers. 415 00:21:04,160 --> 00:21:05,920 She opens everything 416 00:21:06,160 --> 00:21:09,680 and anything with dexterity. Nothing and no one resists him. 417 00:21:11,000 --> 00:21:12,560 It's good, right? - Hmm. 418 00:21:12,800 --> 00:21:15,000 - We also have... - I don't feel it. 419 00:21:15,240 --> 00:21:16,400 {\an3}- The Crook. 420 00:21:16,600 --> 00:21:17,960 Confusion expert, 421 00:21:18,200 --> 00:21:20,240 bravado and disguises, 422 00:21:20,480 --> 00:21:22,800 he is elusive, like the eel. 423 00:21:23,040 --> 00:21:25,160 - While we're doing the heist of the century, 424 00:21:25,359 --> 00:21:26,800 What do you do with Dr. Vésinet? 425 00:21:27,040 --> 00:21:29,119 - That was the first problem to be settled. 426 00:21:29,359 --> 00:21:32,119 She is there which is noted in my diary. 427 00:21:32,359 --> 00:21:33,960 - Since when do you have a diary? 428 00:21:34,200 --> 00:21:36,160 - I don't have an agenda. 429 00:21:36,400 --> 00:21:37,880 Flop music 430 00:21:38,119 --> 00:21:39,440 {\an1}... 431 00:21:39,680 --> 00:21:43,840 {\an3}- You really thought I would go on your imaginary date 432 00:21:44,080 --> 00:21:46,400 in Perpète-lès-Oies? Is this hazing? 433 00:21:46,640 --> 00:21:49,240 {\an1}- That... I... Not at all. For what ? 434 00:21:50,440 --> 00:21:53,200 {\an1}Yet I look every day my diary. 435 00:21:53,440 --> 00:21:55,200 {\an3}- Don't play the smartest with me. 436 00:21:55,400 --> 00:21:58,480 {\an3}We're talking later. I have an appointment at the prefecture. 437 00:22:02,640 --> 00:22:04,040 (- Oops...) 438 00:22:04,240 --> 00:22:06,280 Rhythmic music 439 00:22:06,480 --> 00:22:08,640 To coordinate this whole operation, 440 00:22:08,840 --> 00:22:10,040 I present to you 441 00:22:10,280 --> 00:22:13,200 the Swiss Army knife. On land, at sea 442 00:22:13,440 --> 00:22:15,359 or in the air, the Swiss Army knife 443 00:22:15,600 --> 00:22:18,640 adapts to all situations, even perilous. 444 00:22:18,880 --> 00:22:22,000 Not great. It's not great. The Conductor? 445 00:22:22,240 --> 00:22:24,359 The Conductor. 446 00:22:24,600 --> 00:22:25,960 No. 447 00:22:26,200 --> 00:22:28,720 The Mastermind. He organizes, 448 00:22:28,960 --> 00:22:30,359 he coordinates. 449 00:22:30,600 --> 00:22:32,600 He's smart, lively, strong. 450 00:22:32,840 --> 00:22:34,800 He cooks well. He is modest. 451 00:22:35,040 --> 00:22:38,320 And, above all, it is... - I forgot my files. 452 00:22:38,560 --> 00:22:40,920 Flop music 453 00:22:43,119 --> 00:22:45,520 Screech of felt on the board 454 00:22:45,720 --> 00:22:49,480 {\an1}... 455 00:22:50,480 --> 00:22:52,000 {\an1}What are you doing there? 456 00:22:54,480 --> 00:22:58,200 {\an3}- We review the IML rules, to try never again 457 00:22:58,440 --> 00:23:00,400 {\an3}commit offenses. 458 00:23:00,640 --> 00:23:03,400 - I don't know why I don't feel you this morning. 459 00:23:04,400 --> 00:23:06,640 {\an3}- The charlotte, therefore, 460 00:23:06,840 --> 00:23:08,560 {\an3}is absolutely essential. 461 00:23:08,800 --> 00:23:10,400 {\an1}It is essential. 462 00:23:10,640 --> 00:23:13,600 {\an1}I advise you to always have two with you. 463 00:23:13,800 --> 00:23:15,640 She stands on her head... 464 00:23:17,359 --> 00:23:18,760 The target... 465 00:23:19,000 --> 00:23:22,080 Rhythmic music 466 00:23:22,320 --> 00:23:24,720 The Peretti house, collectors, 467 00:23:24,960 --> 00:23:28,240 which hide an essential picture in an ongoing investigation, 468 00:23:28,480 --> 00:23:31,119 since he can indict them of a triple murder. 469 00:23:31,359 --> 00:23:34,560 - Except you're forgetting something there. - No, I am the Mastermind. 470 00:23:34,800 --> 00:23:37,040 - The table... We don't know where he is. 471 00:23:37,280 --> 00:23:39,680 - That was the second problem to be settled. 472 00:23:39,920 --> 00:23:43,240 It was cold at the Perettis' house. Cold and wet, 473 00:23:43,440 --> 00:23:45,760 except next to the library, where he was 474 00:23:45,960 --> 00:23:49,160 much warmer and drier. Temperature and humidity 475 00:23:49,400 --> 00:23:51,720 ideal to store tables. 476 00:23:51,920 --> 00:23:54,160 I understood it when I saw the VMC. 477 00:23:54,400 --> 00:23:56,880 So I drew, head, 478 00:23:57,880 --> 00:24:00,320 {\an3}the plan of the house of the Perettis. 479 00:24:00,560 --> 00:24:01,840 {\an3}I compared it 480 00:24:02,080 --> 00:24:04,040 {\an3}to an aerial photo from Google Earth. 481 00:24:04,280 --> 00:24:07,200 If my calculations are correct, it is almost missing 482 00:24:07,440 --> 00:24:09,200 20 m2 and some, 483 00:24:09,440 --> 00:24:12,359 {\an3}so it is certainly in these 20 m2 which are missing 484 00:24:12,560 --> 00:24:13,960 {\an3}that the painting is hidden. 485 00:24:14,200 --> 00:24:16,359 - We're not going to do that, anyway. 486 00:24:16,600 --> 00:24:18,359 - What do we do? with the owners? 487 00:24:18,600 --> 00:24:21,000 - That was the third problem to be settled. 488 00:24:21,240 --> 00:24:24,240 The Perettis play golf every Wednesday afternoon. 489 00:24:24,480 --> 00:24:28,240 Their journey lasts 2h30. They have a drink at the clubhouse, 490 00:24:28,480 --> 00:24:31,720 which leaves us at least until 5 p.m. to finish 491 00:24:31,960 --> 00:24:33,240 {\an3}what we have to do. 492 00:24:33,480 --> 00:24:35,680 Fourth and final problem to be settled. 493 00:24:35,880 --> 00:24:37,720 Since their "non-burglary", 494 00:24:37,960 --> 00:24:41,280 they have strangely strengthened their security system. 495 00:24:41,520 --> 00:24:44,560 Cameras, alarms of all kinds... It's strong Fort Knox. 496 00:24:44,800 --> 00:24:47,600 Cannot climb the exterior enclosure. 497 00:24:47,840 --> 00:24:50,280 The alarm does not go off only from the inside. 498 00:24:50,480 --> 00:24:51,640 It's going to be tough. 499 00:24:51,880 --> 00:24:53,760 - OK, so it's not feasible, 500 00:24:54,000 --> 00:24:55,240 {\an3}so we don't do it. 501 00:24:55,480 --> 00:24:59,000 - I said it was a hassle but not that it was infeasible. 502 00:24:59,240 --> 00:25:00,840 {\an3}Imagine that 503 00:25:01,080 --> 00:25:03,600 Dr. Vésinet gave me an idea... 504 00:25:03,840 --> 00:25:06,359 {\an3}- Why not a biplane, while you're there? 505 00:25:06,600 --> 00:25:08,960 Action music 506 00:25:09,200 --> 00:25:19,160 {\an1}... 507 00:25:19,400 --> 00:25:20,320 - Go! 508 00:25:20,560 --> 00:25:57,600 {\an1}... 509 00:25:57,840 --> 00:25:59,359 Okay! 510 00:25:59,560 --> 00:26:10,520 {\an1}... 511 00:26:10,760 --> 00:26:11,960 Fatim laughs. 512 00:26:12,160 --> 00:26:14,400 {\an3}- No, but me, It doesn't make me laugh. 513 00:26:14,640 --> 00:26:24,400 {\an1}... 514 00:26:26,560 --> 00:26:30,160 Light music 515 00:26:30,400 --> 00:26:42,600 {\an1}... 516 00:26:42,800 --> 00:26:45,160 {\an1}- Come on. Make us dream, Eddy. 517 00:26:45,359 --> 00:26:47,560 - Don't even worry. It's not for nothing 518 00:26:47,760 --> 00:26:49,880 call me El Doctor. - How ? 519 00:26:51,320 --> 00:26:53,960 -El Doctor. Action music 520 00:26:54,200 --> 00:27:01,160 {\an1}... 521 00:27:01,359 --> 00:27:02,560 {\an1}- After you. 522 00:27:03,960 --> 00:27:06,160 Intriguing music 523 00:27:06,359 --> 00:27:13,000 {\an1}... 524 00:27:13,200 --> 00:27:14,640 - Oh yeah, okay. 525 00:27:15,640 --> 00:27:17,720 {\an3}- Put that down, stupid. It costs a lot. 526 00:27:17,920 --> 00:27:19,240 {\an1}- Hey, it's okay. 527 00:27:19,440 --> 00:27:22,440 {\an1}... 528 00:27:22,640 --> 00:27:23,880 - It's there. 529 00:27:24,080 --> 00:27:32,800 {\an1}... 530 00:27:33,000 --> 00:27:35,280 - So, what do you think? - It will come. 531 00:27:35,480 --> 00:27:45,920 {\an1}... 532 00:27:46,119 --> 00:27:48,320 {\an1}Fairy fingers, it's up to you. 533 00:27:49,320 --> 00:27:50,720 {\an3}- It was easy to mold. 534 00:27:50,920 --> 00:27:53,520 You took his perfect fingerprints, on his cane. 535 00:27:53,720 --> 00:27:57,600 {\an1}... 536 00:27:57,800 --> 00:27:58,840 {\an1}- Eh... 537 00:27:59,040 --> 00:28:06,000 {\an1}... 538 00:28:06,200 --> 00:28:08,400 - Here. - Why is it always me 539 00:28:08,600 --> 00:28:10,800 first? - Don't ask any questions. Go ahead. 540 00:28:11,000 --> 00:28:13,240 {\an1}... 541 00:28:13,440 --> 00:28:16,680 {\an3}- I have a question. Why did you ask me to put 542 00:28:16,920 --> 00:28:18,320 {\an3}a Lycra suit? 543 00:28:18,520 --> 00:28:20,600 {\an1}- See with Eddy. It was his fantasy. 544 00:28:20,840 --> 00:28:48,480 {\an1}... 545 00:28:48,720 --> 00:28:51,600 (- Ah, it’s good. It’s here.) (- Stop, stop, stop!) 546 00:28:51,840 --> 00:28:54,360 (- What? What is it?) (- Hold this for me.) 547 00:29:10,320 --> 00:29:13,600 {\an1}Okay. Hold this for me. The Mastermind is here. 548 00:29:13,840 --> 00:29:16,600 Rhythmic music 549 00:29:16,800 --> 00:29:18,960 - What are you doing? - I'm warming up. 550 00:29:19,160 --> 00:29:23,160 {\an1}... 551 00:29:23,360 --> 00:29:25,800 {\an1}So... There, left foot. 552 00:29:27,200 --> 00:29:28,560 {\an1}Right hand. 553 00:29:29,560 --> 00:29:32,320 {\an1}Support on the upper wall. 554 00:29:32,560 --> 00:29:34,040 {\an1}I land there. 555 00:29:35,040 --> 00:29:36,200 {\an1}Big gap. 556 00:29:36,440 --> 00:29:38,080 {\an1}I support... 557 00:29:42,880 --> 00:29:44,840 {\an3}Yes, well, well... There are two methods. 558 00:29:46,040 --> 00:29:48,240 Dark music 559 00:29:48,440 --> 00:29:54,640 {\an1}... 560 00:29:54,880 --> 00:29:56,000 Okay. 561 00:29:56,200 --> 00:29:58,480 {\an3}Now, we analyze the table 562 00:29:58,680 --> 00:30:00,880 {\an3}and we prove that Peretti killed those kids. 563 00:30:01,120 --> 00:30:03,120 We enter the house. 564 00:30:07,120 --> 00:30:08,680 Peretti speaks to his wife. 565 00:30:10,520 --> 00:30:12,000 {\an3}(- They are here!) (- What? 566 00:30:12,240 --> 00:30:13,640 (Why are they there?) 567 00:30:13,880 --> 00:30:16,240 {\an3}(- I don't know.) (- What do we do?) 568 00:30:16,480 --> 00:30:19,280 Suspenseful music 569 00:30:19,520 --> 00:30:20,840 {\an1}... 570 00:30:21,080 --> 00:30:23,400 {\an1}- It was you who left the open gallery? 571 00:30:24,880 --> 00:30:26,560 Security is disabled. 572 00:30:28,200 --> 00:30:29,240 Where is the painting? 573 00:30:29,440 --> 00:30:31,520 (- What's going on?) (- It's Peretti.) 574 00:30:31,760 --> 00:30:33,280 (- What?) (- It’s Peretti!) 575 00:30:37,720 --> 00:30:39,720 The doorbell rings. 576 00:30:39,920 --> 00:30:41,640 {\an1}... 577 00:30:41,840 --> 00:30:42,840 {\an3}- I'm going. 578 00:30:48,160 --> 00:30:49,600 (- It's okay, he's gone.) 579 00:30:50,960 --> 00:30:52,920 (- Doesn't that excite you?) (- You shut up!) 580 00:30:53,160 --> 00:30:55,200 There is a knock at the door. - Police ! Open! 581 00:30:58,320 --> 00:31:01,080 - Hello again! I have a letter rogatory 582 00:31:01,280 --> 00:31:03,760 to search your home. 583 00:31:03,960 --> 00:31:06,360 - Please, miss. - Captain. 584 00:31:06,560 --> 00:31:08,800 {\an3}- Captain, we have nothing to hide. 585 00:31:09,000 --> 00:31:11,960 - Ah good ? According to the land register and building permit 586 00:31:12,160 --> 00:31:14,800 of your house, 20 m2 are missing in your living room. 587 00:31:15,000 --> 00:31:16,600 We dismantle the library. 588 00:31:20,360 --> 00:31:21,720 Gurgling 589 00:31:21,920 --> 00:31:24,280 (- Seriously, do you have gas there?) (- But no.) 590 00:31:24,520 --> 00:31:25,560 We enter. 591 00:31:26,560 --> 00:31:29,760 {\an3}- Okay, so where is he, this painting that doesn't exist? 592 00:31:30,000 --> 00:31:31,240 (- Who is it?) 593 00:31:31,440 --> 00:31:32,960 (- It’s Camille.) (- What?) 594 00:31:33,200 --> 00:31:34,560 -Delgado? (- Why 595 00:31:34,800 --> 00:31:36,520 (is she there?) (- I don't know.) 596 00:31:38,720 --> 00:31:39,720 - He's not here. 597 00:31:39,920 --> 00:31:42,080 There are some who look like it, but not the one 598 00:31:42,320 --> 00:31:43,880 {\an1}that Kevin drew. - Okay, 599 00:31:44,120 --> 00:31:47,080 well... we're going to search the whole house, guys. 600 00:31:47,320 --> 00:31:49,600 {\an3}(- I'm going to sneeze.) (- NO, NO, NO!) 601 00:31:49,840 --> 00:31:51,240 - We take these paintings. 602 00:31:51,480 --> 00:31:52,320 Eddie sneezes. 603 00:31:54,000 --> 00:31:55,440 (- Shh!) (- I can't help it!) 604 00:31:55,680 --> 00:31:57,560 Camille pretends to sneeze. 605 00:31:57,800 --> 00:32:00,560 {\an1}- Excuse me, sorry. Come on, let's take everything. 606 00:32:00,800 --> 00:32:02,480 {\an3}We're taking the trunk too. 607 00:32:07,240 --> 00:32:09,000 {\an1}I don't even know what to say. 608 00:32:13,200 --> 00:32:15,400 {\an3}- Start by saying... thank you. 609 00:32:25,800 --> 00:32:26,800 {\an1}Hey! 610 00:32:28,040 --> 00:32:30,040 Dr. Vésinet. - What is it? 611 00:32:30,280 --> 00:32:32,320 this outfit? - I'm coming out of the shower. 612 00:32:32,520 --> 00:32:34,360 - I was looking for you. Where were you? 613 00:32:36,280 --> 00:32:38,000 - At zumba. 614 00:32:38,240 --> 00:32:40,280 - Zumba? With a painting? 615 00:32:41,480 --> 00:32:43,200 - No, doctor, we don't do that. 616 00:32:43,440 --> 00:32:44,600 {\an1}This painting is... 617 00:32:45,600 --> 00:32:46,480 {\an1}This table, 618 00:32:46,720 --> 00:32:48,560 it's Captain Costes 619 00:32:48,760 --> 00:32:51,360 who brilliantly recovered it at the Perettis. 620 00:32:52,360 --> 00:32:53,360 All alone. 621 00:32:54,560 --> 00:32:57,120 {\an1}Without... me. 622 00:32:57,360 --> 00:33:01,120 Neither... Nor anyone, for that matter, of... the IML. 623 00:33:02,120 --> 00:33:03,480 {\an1}And I have to analyze it 624 00:33:03,720 --> 00:33:06,360 to prove that he was at the crime scene 625 00:33:06,560 --> 00:33:09,840 and that the Perettis killed these 3 children to get it back. 626 00:33:11,800 --> 00:33:15,160 - I have a nagging feeling and unpleasant that you take me 627 00:33:15,400 --> 00:33:16,760 {\an3}for a bitch, doctor. 628 00:33:16,960 --> 00:33:18,000 {\an1}- Not at all. 629 00:33:18,200 --> 00:33:19,240 {\an1}Not at all. 630 00:33:20,680 --> 00:33:22,960 You know, you should try zumba. 631 00:33:23,200 --> 00:33:26,200 {\an1}Really, It's really good for... 632 00:33:27,360 --> 00:33:28,360 When... 633 00:33:29,360 --> 00:33:31,000 If we like... zumba. 634 00:33:32,000 --> 00:33:34,000 Funky music 635 00:33:34,200 --> 00:33:41,520 {\an1}... 636 00:33:41,760 --> 00:33:44,080 World's first autopsy of a painting! 637 00:33:44,320 --> 00:34:01,040 {\an1}... 638 00:34:01,280 --> 00:34:02,880 Wow... 639 00:34:05,840 --> 00:34:06,880 - She's not here, 640 00:34:07,120 --> 00:34:08,120 {\an3}your babysitter? 641 00:34:09,400 --> 00:34:11,160 - Commander Klink? - Yeah. 642 00:34:11,360 --> 00:34:13,560 - She caught your eye, huh? - Yeah. 643 00:34:13,800 --> 00:34:16,200 {\an1}- No, it must be destroying 644 00:34:16,440 --> 00:34:17,920 {\an1}the life of another innocent person. 645 00:34:18,120 --> 00:34:19,880 {\an1}I don't share my chips. 646 00:34:20,120 --> 00:34:21,120 - Pardon. 647 00:34:22,880 --> 00:34:24,040 - It was hanging in your face. 648 00:34:24,239 --> 00:34:26,600 You don't obey anyone. They don't like it. 649 00:34:26,840 --> 00:34:28,680 {\an1}- Do you obey someone? 650 00:34:28,920 --> 00:34:32,200 {\an3}- No, but I don't jump from an old cuckoo to burglarize 651 00:34:32,440 --> 00:34:33,239 {\an3}a hut. 652 00:34:33,480 --> 00:34:36,760 {\an3}In short, what did you find? to link Peretti to the murders? 653 00:34:38,040 --> 00:34:39,560 - On this painting? - Mmh. 654 00:34:39,760 --> 00:34:40,840 - No, nothing. 655 00:34:42,320 --> 00:34:45,400 {\an1}I couldn't find anything on this board. Maybe he was 656 00:34:45,640 --> 00:34:48,200 protected by a tarpaulin against projections. 657 00:34:48,400 --> 00:34:49,520 I didn't find anything. 658 00:34:49,760 --> 00:34:53,080 {\an3}- OK, great. It's cool for making me come urgently. 659 00:34:53,320 --> 00:34:54,680 - You like it, huh? 660 00:34:58,360 --> 00:35:00,640 {\an3}- OK, come on, you're annoying me with your smile. 661 00:35:00,840 --> 00:35:01,920 {\an3}Tell me what you got. 662 00:35:02,160 --> 00:35:03,719 - I have nothing on this table. 663 00:35:05,560 --> 00:35:08,360 But I found something in this table. 664 00:35:10,160 --> 00:35:12,840 {\an1}Thanks to immunofluorescence, I discovered 665 00:35:13,080 --> 00:35:15,800 that this painting had been painted with fabrics... 666 00:35:17,000 --> 00:35:18,120 of human origin. 667 00:35:20,120 --> 00:35:22,440 {\an1}In other words, our artist used 668 00:35:22,640 --> 00:35:25,200 {\an1}corpse brains like watercolor. 669 00:35:25,400 --> 00:35:26,400 {\an3}- Okay. 670 00:35:26,640 --> 00:35:27,719 {\an3}It's gross. 671 00:35:29,320 --> 00:35:31,960 {\an3}He is not the first artist to want to shock, 672 00:35:32,160 --> 00:35:33,440 {\an3}but that doesn't help us. 673 00:35:33,680 --> 00:35:37,480 - Yes. Because imagine that I found inside 674 00:35:37,719 --> 00:35:39,560 {\an1}of this organic matter 675 00:35:39,800 --> 00:35:43,120 nitrocellulose residue and tetryl, two components 676 00:35:43,320 --> 00:35:46,120 found inside powder which is used 677 00:35:46,360 --> 00:35:49,239 {\an1}in the bullet casings revolver and pistol. 678 00:35:49,480 --> 00:35:52,239 Same observation for the 4 other paintings, all painted 679 00:35:52,480 --> 00:35:54,840 {\an1}over the last 10 years, according to the dating 680 00:35:55,080 --> 00:35:58,040 spectroscopic, which means that our artist 681 00:35:58,280 --> 00:36:01,040 {\an1}actually used human mush 682 00:36:01,280 --> 00:36:04,360 to paint his pictures and to do that... 683 00:36:04,600 --> 00:36:06,880 - He murdered at least 5 people. 684 00:36:07,880 --> 00:36:08,880 - So. 685 00:36:09,880 --> 00:36:13,560 {\an1}- The artists spent their time to try to capture death. 686 00:36:13,800 --> 00:36:15,080 {\an1}Look at the corpses, 687 00:36:15,280 --> 00:36:17,920 {\an1}the bloody bodies and decapitated people who populate 688 00:36:18,160 --> 00:36:19,440 {\an1}the walls of our museums. 689 00:36:19,640 --> 00:36:20,719 {\an1}Strange exhibition 690 00:36:20,960 --> 00:36:23,239 than that of human cruelty. 691 00:36:23,480 --> 00:36:25,120 {\an1}- Who painted these paintings? 692 00:36:25,360 --> 00:36:27,600 - A theory on the death of the black Dahlia is 693 00:36:27,800 --> 00:36:30,640 that she was murdered in homage to surrealism. 694 00:36:30,880 --> 00:36:31,719 To Man Ray. 695 00:36:33,480 --> 00:36:34,480 Everything is linked. 696 00:36:35,480 --> 00:36:36,920 The body, the blood, the art, 697 00:36:37,160 --> 00:36:38,360 death. - You tell us 698 00:36:38,560 --> 00:36:40,120 who painted these paintings? 699 00:36:40,360 --> 00:36:42,480 - Even if I wanted to, I couldn't. 700 00:36:43,560 --> 00:36:46,160 I bought it on the Internet to an anonymous artist, 701 00:36:46,360 --> 00:36:48,080 like Banksy. Do you know? 702 00:36:50,000 --> 00:36:52,880 In any case, I wasn't aware of his... 703 00:36:54,160 --> 00:36:55,440 artistic approach. 704 00:36:55,640 --> 00:36:56,680 {\an3}- You're kidding us. 705 00:36:56,920 --> 00:36:57,920 You knew. 706 00:36:58,160 --> 00:36:58,920 {\an3}- That's why 707 00:36:59,160 --> 00:37:02,000 that there is a secret room? - And that you killed the kids? 708 00:37:03,000 --> 00:37:04,840 - You have no proof. 709 00:37:05,040 --> 00:37:06,040 Nothing that connects me 710 00:37:06,280 --> 00:37:08,160 {\an1}to these lousy delinquents. 711 00:37:08,360 --> 00:37:11,640 {\an1}Not a mobile, not a fingerprint, not a witness. 712 00:37:11,880 --> 00:37:14,080 In 48 hours, I am at home, 713 00:37:14,280 --> 00:37:15,560 free as air. 714 00:37:15,800 --> 00:37:17,320 {\an1}- What proves to me 715 00:37:17,520 --> 00:37:19,960 {\an1}that you're not the weirdo who killed for art? 716 00:37:21,880 --> 00:37:23,600 - Alas, I have no talent. 717 00:37:23,800 --> 00:37:25,239 Otherwise that of finding it, 718 00:37:25,480 --> 00:37:27,120 {\an1}and recognize that there, 719 00:37:27,360 --> 00:37:28,680 I surpassed myself. 720 00:37:30,000 --> 00:37:32,600 - It's okay, he's getting me drunk. He is placed in custody 721 00:37:32,840 --> 00:37:36,840 {\an3}for concealment of corpses, time that we prove that he killed the kids. 722 00:37:38,160 --> 00:37:40,560 - Well, then, hurry up, captain. 723 00:37:41,560 --> 00:37:44,120 48 hours of police custody, it goes by so quickly. 724 00:37:45,320 --> 00:37:46,520 - Okay, thank you. 725 00:37:47,520 --> 00:37:48,520 Lesson. 726 00:37:52,719 --> 00:37:54,400 The door unlocks. 727 00:37:54,600 --> 00:37:55,360 - Thank you. 728 00:37:55,560 --> 00:37:57,560 Hubbub 729 00:37:57,760 --> 00:38:13,280 {\an1}... 730 00:38:18,440 --> 00:38:21,200 {\an3}- I learned that Hélène had left. It's sad. 731 00:38:25,239 --> 00:38:27,640 {\an3}I never felt it too much, anyway. 732 00:38:28,800 --> 00:38:30,360 {\an3}She was pulling you down. 733 00:38:37,239 --> 00:38:38,360 {\an3}I miss you. 734 00:38:41,200 --> 00:38:43,200 Did you receive my calls? My letters? 735 00:38:48,520 --> 00:38:51,719 I know it's not easy for you right now, but... 736 00:38:53,400 --> 00:38:56,160 I would really like that we try to keep a link. 737 00:38:57,320 --> 00:38:58,920 If only for the baby. 738 00:39:07,480 --> 00:39:09,000 {\an3}She moves all the time. 739 00:39:12,120 --> 00:39:13,840 {\an3}Every time, I think of you. 740 00:39:17,600 --> 00:39:19,400 You know, I'm happy, eh. 741 00:39:22,520 --> 00:39:24,000 Even though I'm here. 742 00:39:25,280 --> 00:39:26,360 Without you. 743 00:39:29,600 --> 00:39:31,480 I feel it. I can't wait to see her. 744 00:39:31,719 --> 00:39:34,080 - They won't let you keep it. 745 00:39:34,320 --> 00:39:37,719 - They said I would keep her the first few months if I'm good. 746 00:39:39,520 --> 00:39:41,880 And after, you're the one who's going to take care of it 747 00:39:42,080 --> 00:39:43,560 until I come out. 748 00:39:43,800 --> 00:39:45,760 - You won't go out, Maya. - Yes. 749 00:39:47,400 --> 00:39:48,719 {\an3}Yes, I'm going to go out. 750 00:39:49,719 --> 00:39:52,520 {\an3}They will understand very well why I did that. 751 00:39:53,640 --> 00:39:56,360 It was a difficult time of my life. 752 00:39:59,480 --> 00:40:02,000 But now it's okay. You're going to take care of me. 753 00:40:03,000 --> 00:40:04,920 {\an1}- I'm not going to take care of you. 754 00:40:06,560 --> 00:40:07,960 - But I am your wife. 755 00:40:09,560 --> 00:40:10,840 Balthazar sighs. 756 00:40:13,840 --> 00:40:14,920 {\an1}-Maya... 757 00:40:15,120 --> 00:40:16,440 Dark music 758 00:40:16,680 --> 00:40:24,120 {\an1}... 759 00:40:24,320 --> 00:40:25,520 You are my wife... 760 00:40:26,640 --> 00:40:28,360 only because I wanted 761 00:40:28,560 --> 00:40:31,080 find myself alone with you to be able to kill you. 762 00:40:31,320 --> 00:40:32,400 Maya screams. 763 00:40:32,640 --> 00:40:33,960 - No! Don't do that! 764 00:40:34,160 --> 00:40:35,560 {\an1}- And I came to see you here 765 00:40:35,800 --> 00:40:37,160 for one reason only. 766 00:40:39,200 --> 00:40:41,280 So that you stop calling me, 767 00:40:41,520 --> 00:40:43,520 that you stop writing to me 768 00:40:43,760 --> 00:40:47,000 {\an1}and you stop thinking that there is something else between us 769 00:40:47,239 --> 00:40:50,600 only a very strong desire on my part to see you dead. 770 00:40:52,280 --> 00:40:53,360 {\an1}Is it clear? 771 00:40:53,560 --> 00:40:56,239 {\an1}... 772 00:40:56,440 --> 00:40:57,640 - And the baby? 773 00:40:59,480 --> 00:41:00,840 - This baby, Maya, 774 00:41:01,040 --> 00:41:03,320 the best thing that could happen to him, 775 00:41:03,520 --> 00:41:05,920 it's being taken away from you the second he is born 776 00:41:06,120 --> 00:41:08,160 and he never knows where he comes from. 777 00:41:10,880 --> 00:41:12,880 {\an1}Next time I see you, 778 00:41:13,120 --> 00:41:15,440 you will be in a glass cage at the seats. 779 00:41:17,480 --> 00:41:19,000 I promise you. 780 00:41:19,239 --> 00:41:26,960 {\an1}... 781 00:41:28,280 --> 00:41:30,719 {\an3}- You tell yourself that you are better than me. 782 00:41:33,200 --> 00:41:35,000 We're both the same. 783 00:41:35,200 --> 00:41:36,200 Same. 784 00:41:38,480 --> 00:41:39,640 {\an3}We're broken 785 00:41:39,880 --> 00:41:41,719 and nothing can fix us. 786 00:41:41,920 --> 00:41:43,360 A door unlocks. 787 00:41:45,400 --> 00:41:48,160 You're as crazy as me. Everyone knows it. 788 00:41:50,040 --> 00:41:51,280 Oh my... 789 00:41:51,480 --> 00:41:53,760 How are they doing, your imaginary friends? 790 00:41:53,960 --> 00:41:55,280 How is she doing, Lise? 791 00:41:56,600 --> 00:41:57,800 {\an1}And Alexander? 792 00:41:58,800 --> 00:42:00,600 {\an1}Huh? How is he doing, Alexandre? 793 00:42:00,800 --> 00:42:02,800 Dark music 794 00:42:03,000 --> 00:42:05,160 {\an1}... 795 00:42:05,400 --> 00:42:07,400 ... Maya laughs. 796 00:42:07,600 --> 00:42:26,040 {\an1}... ... 797 00:42:26,239 --> 00:42:39,640 {\an1}... 798 00:42:41,760 --> 00:42:42,840 We enter. 799 00:42:44,239 --> 00:42:47,680 We're getting closer. 800 00:42:49,480 --> 00:42:51,080 Vésinet clears his throat. 801 00:42:54,440 --> 00:42:55,840 {\an1}- Did you sleep there? 802 00:42:59,120 --> 00:43:01,239 {\an1}What happened to you by hand? 803 00:43:01,440 --> 00:43:02,640 {\an1}Did you fight? 804 00:43:04,800 --> 00:43:05,960 - I don't know. 805 00:43:09,280 --> 00:43:11,000 {\an1}Fuck, I really don't know. 806 00:43:12,320 --> 00:43:14,320 A phone vibrates. 807 00:43:14,520 --> 00:43:16,200 {\an3}Wow... Uh... 808 00:43:18,239 --> 00:43:19,320 {\an3}Yes, Camille. 809 00:43:19,520 --> 00:43:20,800 *-Yeah. Am I bothering you? 810 00:43:21,800 --> 00:43:22,800 - Uh... 811 00:43:23,800 --> 00:43:25,800 No. - Okay. We have nothing there. 812 00:43:26,040 --> 00:43:29,080 We don't know who painted these paintings. we cannot prove 813 00:43:29,280 --> 00:43:32,080 that Peretti attacked the kids. You must identify 814 00:43:32,320 --> 00:43:34,239 the victims to trace the killer 815 00:43:34,440 --> 00:43:36,880 and confuse this asshole of collector. 816 00:43:37,080 --> 00:43:40,120 - Their DNA is not recorded. I transmitted everything to the FNAEG, 817 00:43:40,360 --> 00:43:42,200 but for now, there is nothing. 818 00:43:42,400 --> 00:43:45,440 - Are you giving up? Does your inspector distract you? 819 00:43:45,640 --> 00:43:47,520 I saw clearly that you found her sexy. 820 00:43:47,760 --> 00:43:50,440 At the same time, it's true that it's good. 821 00:43:50,640 --> 00:43:52,040 Vésinet clears his throat. 822 00:43:54,160 --> 00:43:56,239 I'm on speakerphone, is that it? 823 00:43:56,440 --> 00:43:57,560 - So. 824 00:43:57,760 --> 00:44:00,280 - All right. Well... 825 00:44:00,520 --> 00:44:01,760 I... 826 00:44:01,960 --> 00:44:03,440 I'll leave you, then. 827 00:44:03,640 --> 00:44:05,960 - Thank you, Camille, for your intervention. 828 00:44:06,160 --> 00:44:07,520 - Yes, with pleasure. 829 00:44:19,200 --> 00:44:20,840 {\an3}- It's her, it's not me. 830 00:44:23,040 --> 00:44:25,239 {\an3}I don't find you sexy. 831 00:44:25,440 --> 00:44:26,200 {\an3}I...I... 832 00:44:26,440 --> 00:44:29,400 {\an3}I can't find you not sexy, I mean, 833 00:44:29,600 --> 00:44:31,719 {\an3}I find you... well, normal. 834 00:44:32,719 --> 00:44:33,719 {\an3}Normal plus. 835 00:44:33,960 --> 00:44:36,960 {\an1}- Stop there, doctor. I don't want to add 836 00:44:37,200 --> 00:44:40,280 {\an1}"harassment" to the list, which is already long enough. 837 00:44:40,480 --> 00:44:41,920 {\an3}- Harassment? Serious ? 838 00:44:43,440 --> 00:44:45,400 {\an1}You are an open wound, in fact. 839 00:44:45,600 --> 00:44:46,920 - I beg your pardon ? 840 00:44:47,120 --> 00:44:50,239 {\an3}- You are a plague or... Listen, you don't mind 841 00:44:50,440 --> 00:44:52,880 {\an3}to spend your time to blame myself 842 00:44:53,080 --> 00:44:56,280 {\an3}on how I manage my IML as I try to find 843 00:44:56,480 --> 00:44:58,320 {\an3}who massacred 3 kids and 5 strangers 844 00:44:58,520 --> 00:45:00,480 {\an3}just to avoid let it start again? 845 00:45:00,680 --> 00:45:02,840 - I do my job, you, yours. 846 00:45:03,040 --> 00:45:06,080 {\an3}- Oh? Your work, he was not a doctor, 847 00:45:06,280 --> 00:45:07,800 {\an3}a very long time ago? 848 00:45:08,000 --> 00:45:11,680 {\an3}You forgot what it is than worry about anything else 849 00:45:11,880 --> 00:45:13,480 {\an3}than a stupid regulation. 850 00:45:13,680 --> 00:45:15,320 {\an3}Sorry for having priorities! 851 00:45:15,520 --> 00:45:18,280 {\an1}- My stupid rules, he's there for something. 852 00:45:18,480 --> 00:45:21,200 {\an1}You know how much I know gifted doctors 853 00:45:21,400 --> 00:45:24,440 {\an1}who thought they were God in the little kingdom of their IML 854 00:45:24,640 --> 00:45:27,040 {\an1}and who ended up fucking an innocent man in jail 855 00:45:27,239 --> 00:45:29,960 {\an1}or a guilty person at large because of their arrogance? 856 00:45:30,160 --> 00:45:31,600 {\an3}- From their arrogance? Wow. 857 00:45:31,800 --> 00:45:34,880 {\an3}Damn, that’s funny, a word from someone 858 00:45:35,080 --> 00:45:37,840 {\an3}that the entire profession calls the gravedigger. 859 00:45:38,040 --> 00:45:39,200 {\an3}Do you know why? 860 00:45:39,400 --> 00:45:42,040 {\an3}In homage to all careers of my colleagues 861 00:45:42,239 --> 00:45:44,760 {\an3}that you buried to climb the steps 862 00:45:44,960 --> 00:45:47,800 {\an3}and have a small place in the ministry! Right? 863 00:45:48,000 --> 00:45:50,960 {\an3}Unless it's in your genes to piss people off? 864 00:45:57,560 --> 00:45:58,560 {\an1}- But yes. 865 00:45:59,560 --> 00:46:01,040 {\an1}Genes. 866 00:46:01,239 --> 00:46:03,000 {\an1}The Bayesian model. 867 00:46:07,880 --> 00:46:09,400 {\an3}- The haploid genotype. 868 00:46:09,600 --> 00:46:10,680 {\an1}- That's it. 869 00:46:12,160 --> 00:46:14,400 Breathtaking music 870 00:46:14,640 --> 00:46:24,520 {\an1}... 871 00:46:24,760 --> 00:46:27,280 {\an3}- The genotype is written as fractions 872 00:46:27,520 --> 00:46:29,400 with floors, each indicating 873 00:46:29,640 --> 00:46:31,239 {\an3}mutant alleles 874 00:46:31,480 --> 00:46:32,920 {\an3}in a batch of chromosomes. 875 00:46:33,120 --> 00:46:34,880 {\an3}- In a diploid genotype, 876 00:46:35,120 --> 00:46:36,640 {\an1}each stage of the fraction 877 00:46:36,880 --> 00:46:39,080 {\an1}represents the genotype of one of the parents 878 00:46:39,320 --> 00:46:41,480 haploid. - We wanted you... 879 00:46:41,719 --> 00:46:43,719 - If we compare the haplotype of the dead 880 00:46:43,960 --> 00:46:45,480 {\an1}to data banks 881 00:46:45,719 --> 00:46:47,160 public and private... 882 00:46:47,400 --> 00:46:49,680 - Or, we... - We can isolate 883 00:46:49,920 --> 00:46:51,160 the correspondences 884 00:46:51,400 --> 00:46:52,719 {\an1}and explore their lineage 885 00:46:52,960 --> 00:46:54,840 by reverse engineering. 886 00:46:55,080 --> 00:46:56,239 - Exactly. 887 00:46:56,480 --> 00:46:58,280 - Okay. We leave you. 888 00:46:58,520 --> 00:47:11,719 {\an1}... 889 00:47:12,719 --> 00:47:14,480 - It was weird, wasn't it? - Yeah. 890 00:47:14,680 --> 00:47:16,400 {\an3}It made me want to fuck. 891 00:47:17,920 --> 00:47:19,280 {\an1}- Wait, wait. 892 00:47:22,800 --> 00:47:24,960 {\an1}- Antoine Levard, Aurore Fontalba, 893 00:47:25,160 --> 00:47:28,360 {\an1}Boris Petit, Géraldine Balland and Gladys Letilleul. 894 00:47:28,600 --> 00:47:31,040 *All missing between 2013 and today. 895 00:47:31,239 --> 00:47:33,800 No point in common, except 896 00:47:34,040 --> 00:47:37,040 that they all worked in art. A historian, 897 00:47:37,280 --> 00:47:38,920 a critic, a sculptor, 898 00:47:39,160 --> 00:47:41,600 a restaurateur and an auctioneer. 899 00:47:41,800 --> 00:47:42,960 - Okay. 900 00:47:43,160 --> 00:47:46,000 The disappearances are spaced of several years. 901 00:47:46,239 --> 00:47:48,760 We didn't make the connection. How did you find it? 902 00:47:49,760 --> 00:47:52,560 {\an3}- Do you know genetic genealogy? 903 00:47:52,760 --> 00:47:54,160 {\an3}No? I'll explain to you. 904 00:47:54,400 --> 00:47:56,160 {\an3}It is a technique which aims 905 00:47:56,400 --> 00:47:58,480 to identify suspects going back 906 00:47:58,719 --> 00:48:01,800 their family tree via genetics. We're leaving 907 00:48:02,040 --> 00:48:04,040 of their DNA and that of people 908 00:48:04,239 --> 00:48:05,920 who share part of it, 909 00:48:06,160 --> 00:48:09,280 we find their common ancestor, a distant cousin 910 00:48:09,520 --> 00:48:11,400 at the 4th or 5th degree, and then, 911 00:48:11,600 --> 00:48:14,000 we explore his lineage 912 00:48:14,239 --> 00:48:17,160 until you can find your identity. 913 00:48:17,360 --> 00:48:18,520 It's great, isn't it? 914 00:48:18,719 --> 00:48:20,760 It's Olivia who had the idea of basing 915 00:48:21,000 --> 00:48:22,640 on the Bayesian model. - Oh! 916 00:48:22,840 --> 00:48:24,160 Do you call her Olivia? 917 00:48:24,400 --> 00:48:27,239 - Be careful... - You're the one who's going to hit it, 918 00:48:27,480 --> 00:48:28,640 bastard. 919 00:48:28,840 --> 00:48:30,280 Olivia clears her throat. 920 00:48:31,920 --> 00:48:33,040 Oh no! 921 00:48:33,239 --> 00:48:35,520 I'm still on speakerphone, is that it? 922 00:48:35,719 --> 00:48:37,000 - That's it. 923 00:48:38,680 --> 00:48:41,080 {\an3}Um... Okay, well... 924 00:48:42,960 --> 00:48:45,520 Hello, Olivia. Uh... Dr. Vésinet. 925 00:48:45,760 --> 00:48:46,760 {\an3}Sorry. 926 00:48:47,000 --> 00:48:48,400 *How are you ? - Very good, thank you. 927 00:48:48,600 --> 00:48:50,400 {\an1}And you, captain? 928 00:48:50,600 --> 00:48:52,520 - Well, very good, thank you. 929 00:48:52,719 --> 00:48:54,080 Well, well, I... 930 00:48:54,320 --> 00:48:56,680 {\an3}I wish you a great day. 931 00:49:03,200 --> 00:49:04,360 Did you find something? 932 00:49:04,560 --> 00:49:05,560 {\an1}- Yeah. 933 00:49:05,800 --> 00:49:08,000 I have something. The 5 victims were 934 00:49:08,200 --> 00:49:10,400 jury members at the entrance to the Beaux-Arts 935 00:49:10,640 --> 00:49:11,600 {\an1}in 2009. 936 00:49:11,840 --> 00:49:12,920 {\an1}- Among those who failed, 937 00:49:13,160 --> 00:49:15,880 Marianne Vignon, doesn’t that mean anything to you? 938 00:49:17,280 --> 00:49:18,440 - Well yes. 939 00:49:18,640 --> 00:49:21,480 It was the maiden name by Marianne Peretti. 940 00:49:22,640 --> 00:49:24,840 She passed 3 times the competition to enter 941 00:49:25,080 --> 00:49:26,719 in Fine Arts. 3 failures. 942 00:49:26,960 --> 00:49:29,800 She ended up depressed. For her, the members of the jury 943 00:49:30,040 --> 00:49:32,440 ruined his life. - Her revenge keeps her going. 944 00:49:32,680 --> 00:49:34,920 Now, she has nothing more to lose. 945 00:49:36,560 --> 00:49:37,560 {\an3}Police! 946 00:49:37,760 --> 00:49:38,880 {\an3}Ms. Peretti? 947 00:49:39,080 --> 00:49:40,600 - Yes, I'm almost ready. 948 00:49:40,800 --> 00:49:42,560 {\an1}- I'm stopping you for the murders 949 00:49:42,800 --> 00:49:44,320 by Boris Petit, 950 00:49:44,560 --> 00:49:46,760 Antoine Levard, Geraldine Balland, 951 00:49:46,960 --> 00:49:49,239 Gladys Letilleul and Aurore Fontalba. 952 00:49:51,280 --> 00:49:52,560 The painting is finished 953 00:49:52,800 --> 00:49:53,800 for you. 954 00:49:56,719 --> 00:49:59,800 - I had put all my guts into it in this entrance exam. 955 00:50:01,040 --> 00:50:03,520 All the hopes of a young girl of 18 years old. 956 00:50:04,520 --> 00:50:06,600 {\an3}I had so many dreams, at the time. 957 00:50:07,920 --> 00:50:10,120 They trampled on me with their sarcasm. 958 00:50:11,160 --> 00:50:14,040 They told me that I was consensual, smooth, 959 00:50:14,280 --> 00:50:16,080 that I had no vision. 960 00:50:17,360 --> 00:50:18,680 Only Jean-Eudes was able to see 961 00:50:18,880 --> 00:50:20,800 raw talent who was hiding inside me. 962 00:50:21,040 --> 00:50:23,600 But now, they understood their mistake. 963 00:50:23,840 --> 00:50:26,120 {\an3}They know the power of my genius. 964 00:50:27,680 --> 00:50:29,760 - You killed 5 people, you weirdo. 965 00:50:29,960 --> 00:50:31,080 And your husband, 3 kids. 966 00:50:31,320 --> 00:50:33,560 For paintings by a failed artist. 967 00:50:33,760 --> 00:50:34,640 - Does that shock you? 968 00:50:34,880 --> 00:50:36,520 - Yeah. - You feel nauseous 969 00:50:36,760 --> 00:50:39,360 looking at my paintings? Thinking that behind 970 00:50:39,560 --> 00:50:42,520 every brush stroke, there is the cry of a man being killed? 971 00:50:44,120 --> 00:50:45,560 {\an3}But that’s what art is made for. 972 00:50:45,800 --> 00:50:47,160 To transgress. 973 00:50:48,160 --> 00:50:51,320 And whether you like it or not, my name will mark history. 974 00:50:51,560 --> 00:50:53,000 - All right. We take him on board. 975 00:50:54,000 --> 00:50:56,520 - While some already compare the Perettis 976 00:50:56,760 --> 00:51:00,360 {\an1}to Van Gogh and Caravaggio, their macabre work poses the question 977 00:51:00,560 --> 00:51:02,640 {\an1}limits of contemporary art. 978 00:51:02,840 --> 00:51:06,600 {\an1}We are thinking in particular of the works by Rihanna and Marina Abramovic... 979 00:51:06,800 --> 00:51:08,200 - MRS PERETTI! 980 00:51:08,440 --> 00:51:10,880 {\an1}- What the hell is this? Who warned these idiots? 981 00:51:11,080 --> 00:51:12,680 {\an3}- Failed artist, you said? 982 00:51:12,880 --> 00:51:13,880 {\an1}- Come on. 983 00:51:14,080 --> 00:51:15,719 {\an1}- Mrs. Peretti, please! 984 00:51:15,960 --> 00:51:18,800 {\an1}*-You confirm having killed 5 people in goal 985 00:51:19,040 --> 00:51:20,880 to create a work of art? 986 00:51:21,080 --> 00:51:23,280 - When these paintings will they be exposed? 987 00:51:23,520 --> 00:51:25,440 - Get out, thank you! - Mrs. Peretti! 988 00:51:25,680 --> 00:51:28,040 Mrs Peretti, please, just a word. 989 00:51:28,239 --> 00:51:29,640 Madam, please. 990 00:51:34,600 --> 00:51:35,880 -Olivia? 991 00:51:37,440 --> 00:51:39,480 We're going to have a drink. Are you coming with us? 992 00:51:39,719 --> 00:51:42,760 - It's Dr. Vésinet. And we're going to stay in the vows. 993 00:51:50,760 --> 00:51:52,120 {\an3}- What is the... 994 00:51:57,200 --> 00:51:58,960 You learned for the burglary? 995 00:51:59,200 --> 00:52:01,160 - Obviously. You used 996 00:52:01,360 --> 00:52:03,400 the IML blue card to adjust 997 00:52:03,600 --> 00:52:05,360 your little first flight. 998 00:52:11,120 --> 00:52:14,760 If there was a moment, just one, where you had to keep your guard up, 999 00:52:15,000 --> 00:52:16,440 it was now. 1000 00:52:17,800 --> 00:52:19,480 So why? 1001 00:52:19,680 --> 00:52:20,960 What are you looking for? 1002 00:52:24,520 --> 00:52:26,719 {\an3}- I wanted to arrest murderers. 1003 00:52:26,960 --> 00:52:29,000 - If their lawyers find out, 1004 00:52:29,200 --> 00:52:32,640 the murderers will be released for procedural defects. 1005 00:52:32,880 --> 00:52:36,560 {\an1}And they will be new assassins free because of you. 1006 00:52:37,880 --> 00:52:39,920 And that of your team. 1007 00:52:44,000 --> 00:52:46,080 {\an1}That's what I'm for, doctor. 1008 00:52:46,280 --> 00:52:48,760 {\an1}To protect society people like you. 1009 00:52:49,000 --> 00:52:52,440 Contrary to what you believe, I take no pleasure in it, 1010 00:52:52,640 --> 00:52:54,600 but you don't let me the choice. 1011 00:52:55,600 --> 00:52:57,160 - So, what, then? 1012 00:52:58,480 --> 00:53:00,920 You will ask for my head, like the others? 1013 00:53:01,160 --> 00:53:04,040 - It's already done. You are relieved of your duties, 1014 00:53:04,280 --> 00:53:06,280 Dr Balthazar. Now it's me 1015 00:53:06,520 --> 00:53:10,239 {\an1}who assumes management of the IML, time to put things in order. 1016 00:53:11,239 --> 00:53:12,440 And I had to insist... 1017 00:53:14,160 --> 00:53:17,560 so you can continue to practice under my authority. 1018 00:53:25,160 --> 00:53:27,360 - This IML, I manage it really well. 1019 00:53:32,360 --> 00:53:35,320 Maybe it's the only thing that I manage well in my life. 1020 00:53:39,719 --> 00:53:41,520 But you're just doing your job. 1021 00:53:58,400 --> 00:54:00,360 {\an1}- Another time for glass, then? 1022 00:54:00,560 --> 00:54:01,760 {\an1}- Dr Drot? 1023 00:54:02,840 --> 00:54:04,360 {\an1}- It's you, Dr Drot. - Yeah. 1024 00:54:04,560 --> 00:54:05,719 {\an1}Oh yeah. 1025 00:54:05,920 --> 00:54:07,920 Tension music 1026 00:54:08,120 --> 00:54:14,920 {\an1}... 1027 00:54:18,200 --> 00:54:20,480 So? What's up, doctor? 1028 00:54:24,239 --> 00:54:25,520 Bugs Bunny. 1029 00:54:26,520 --> 00:54:29,400 It's the carrot. Didn't you watch when you were little? 1030 00:54:29,600 --> 00:54:31,480 At the same time, we are not the same age. 1031 00:54:31,680 --> 00:54:32,840 I don't mean... 1032 00:54:33,080 --> 00:54:34,600 {\an1}- I wanted to thank you. 1033 00:54:34,800 --> 00:54:36,960 {\an1}It's difficult to report your boss. 1034 00:54:38,560 --> 00:54:39,719 Eddie sighs. 1035 00:54:41,040 --> 00:54:42,280 - Okay, wait. 1036 00:54:42,480 --> 00:54:45,560 Because there, really, I think there was a misunderstanding. 1037 00:54:45,760 --> 00:54:47,840 Balthazar, he's a fucking doctor. 1038 00:54:50,080 --> 00:54:51,480 {\an3}I just worried. 1039 00:54:52,480 --> 00:54:55,440 - And you did well. Your friend needs some rest. 1040 00:54:57,960 --> 00:55:00,280 {\an1}In due time, count on me to support 1041 00:55:00,480 --> 00:55:02,760 {\an1}your application to the management of the IML. 1042 00:55:07,920 --> 00:55:09,920 *Pop music 1043 00:55:10,120 --> 00:55:17,719 {\an1}... 1044 00:55:29,400 --> 00:55:30,920 {\an3}- Can I sit there? 1045 00:55:31,120 --> 00:55:32,320 {\an1}- Yes, of course. 1046 00:55:40,000 --> 00:55:42,280 {\an3}- I read it too when I was young. 1047 00:55:43,280 --> 00:55:44,560 {\an3}Do you like it? 1048 00:55:44,760 --> 00:55:45,960 {\an1}- A lot. 1049 00:55:47,120 --> 00:55:48,840 {\an1}Delighted. My name is Victor. 1050 00:55:51,440 --> 00:55:52,719 {\an3}- Dorothy. 1051 00:55:52,920 --> 00:55:54,920 Intriguing music 1052 00:55:55,120 --> 00:55:59,560 {\an1}... 1053 00:55:59,760 --> 00:56:02,320 SUBTITLE: RED BEE MEDIA 1054 00:56:31,960 --> 00:56:32,000 .